From my old primary school, situated on top of the Niagara Escarpment in Hamilton, Ontario, Canada - a very nice profile of my work over the past few decades in both art-making and writing ...
As an 'old girl' (from many moons past went), I can attest to the solid educational framework that this private day school offers. As an attending youngster, I LOVED the teachers, (even though some were ferocious on the outside, hint-hint, Mrs.LeRoy!).
Overall, I appreciated the small class sizes, the wide-ranging curriculum that was devoted to creating well-rounded little girls and boys, the active sports days & theatrical productions, the life-long friendships made and the mushy peas at lunch hour in the school cafeteria! It was a wonderful place to just 'grow' ....
'Immersed in Art' - a very much appreciated four-page spread about me in the 2021 Spring Edition of the Hillfield Strathallan College Review.
Oh dear. Must share a few more thoughts about 'video-conferencing' from an artist's perspective ... I know that it is increasingly common-place for everyone and their mother to engage in 'voice chats' over Zoom, Facetime and Skype, etc. It's so commonplace now, it's consider kind of ODD not too.
And yet, for me, this super-controlled, literal 'in-your-face' video interaction is wholly unsatisfactory as 'human communication'. It's not just the invasion of private space - as has so readily occurred over the COVID Lockdown - it is the screen's innate inability to really engage with the person you're chatting with. There is, quite literally, two screens between you.
Sure, you can see and hear each other through the screens, but what about all the other manifold physical senses and tangential happenings that naturally erupt when actually with another person?
As example, over the past year, I have attempted at various times to 'chat' with my dear old mum in this way. Yes, it certainly does allow us a chance to catch-up and SEE each other. But we both soon discovered a mutually understanding of the incredible VOID we were experiencing through the screen. Both of us sorely miss the spontaneity of the ever-capricious 'just-being-with-each-other-in-Time-and-Space' experience. Nothing can replace the actual synergy of REAL LIFE -- and humanity would be sorely mistaken to believe that 'screen chats' suffice - or that, "it will do".
To be clear, it does not. It cannot. -- And it never will.
Jens Hansen, Voice Artist
For those who have no qualms about interacting through video chats with others, whether for private or public use, I do get it. It's easy, it's convenient. It gives you sense you are 'connecting'. You can 'zoom' in or out over vast distances. You can seemingly control the volume, lighting, backdrop and you can exit at Will, (unless you are a 'guest' on an interview!)
But, to be EXTRA clear, this is not what real-life surround-sound 'conversation' between living-and-breathing human beings is like, or about. So many of the delightful nuances of engagement are lost through this pervasive and invasive technology. So much is NOT seen, heard or felt through our screens. It's really just not Half as Good as the real thing! -- Really!
... Anyway, enough about why I loathe this controlled form of engagement ... Now, the juicy stuff!!
On Monday, I and #Dutch-#Danish-#Canadian, Jens Hansen, the talented #narrator of the #audiobook version of TRILLIUM, were interviewed on a UK-based Youtube station, 'Boomers on Books'. It was a huge opportunity to 'spread-the-word' about our combined effort on the TRILLIUMaudiobook project, so, yes, I had to do it.
During the pre-live, prep period - when we were testing connections, lights, background and extraneous visuals - the loathing I hold for this kind of 'screen communication' began to manifest ... Every fiber in my being was resisting the necessity of the 'performance art' that had to ensue. (I am also very aware that I prefer being behind the camera, not in front of it.) Fundamentally, as I writer, I 'observe' while others 'perform'. Writers epitomize spectators. We are the All-Seeing Watchers. All this was swirling around in my mind as we got ready for the one-hour 'live' #interview ...
On the day of, I thought I was going to throw-up. I was overcome by a completely irrational fear that almost prevented me from joining 'in' to Vince's channel room. -- What would others thinks? What would I think? Who would be judging? How would I judge myself? -- This reached a crescendo just a few seconds before 'air-time' ...
How could I cope? -- How would I cope?
.... well, watch for yourself ....
... As one long interested in the impact of screen culture on humanity, yes, I crossed the Rubicon ...
And, of course, it was 'performance art'. -- Later remarks that I looked "so natural", "at ease", and "comfortable" (while very kind and supportive) attest to that. -- Believe me folks, the whole thing was, from start to finish, 'performance art'. Some have said, "it's no big deal. You did it!" -"It's excellent & necessary promotion." "You're just selling your book!" Yes, yes, and yes, BUT ... I still loathe every single second of having to do it. And that, my dear friends, is why you will see little more of this #writer 'live', on big or little screens.
Now, let me add this link for the real #performer, the real #actor, in our midst. It goes without saying that I chose wonderful Jens for all the #acting abilities he so easily manifests during the interview: charm, wit, timing and an all-round good sense of fun. As mentioned in the interview, it was during the taping of his STELLAR rendition of 'The Cremation of Sam McGee' that I first saw and heard the fantastic potential he had as a #storyteller. - Jens is a natural. Jens IS gifted. - And, you really should listen to the bravo 14.5 hour #performance he gives to TRILLIUM. It is outstanding!
Settle in for a thrilling, engaging and timely tale that spans 250 years of life on the Niagara peninsula. The #Ebook,#paperback and audiobook are now available in the States & Canada via Amazon, or iTunes. -- Plus, here are the United Kingdomlinks.
A fantastic profile of the #audiobook narrator, Jens Hansen - (chosen for my third novel,TRILLIUM) - came out today on the front (and full page!) of The Hamilton Spectator's GO section.
Written by veteran lifestyle & arts columnist, Jeff Mahoney, Jeff really 'gets' the "debonair" character that Jens brings to the pages of TRILLIUM ...
The article is a wonderful and in-depth coverage of a versatile actor whose first language is, surprisingly, not English.
As I explained to Jeff as background for the profile, I initially chose Jens because of his exotic life-and-lived experience from elsewhere on the globe. His cadences, tone and inflections add a rainbow of audio colour to the telling of the tale. So much so, Jeff gushes about his "great Niagara of Narration". -- Fine words indeed!
So, if in the mood to listen to a distinctive and beguiling voice for 14.5 hours, tune into Jens' "brilliant" rendition of TRILLIUM.You will be alternatively amused, delighted, intrigued - and seduced. -- Promise!
TRILLIUM, written by Margaret Lindsay Holton, available on iTUNES -- or Audible. If you prefer to #read TRILLIUM yourself, download the ebook -- and/or pick up the 350+ paperback -- viaAmazon.
Full, front page on the GO Section of The Hamilton Spectator! Woohoo!
Delighted to have this wonderful post all the way from sunny #FLORIDA! Marcia Meara let me share the wonderful #voice of Jens Hansen on her comprehensive book blog. Dive in for a good read about what makes Jens soooo good for the 14.5 hours TRILLIUM#audiobook project. Tune into Audible, or iTunesto have a wee listen to his stellar effort!
Woohoo! The AUDIOBOOK version of TRILLIUM is Finally HERE!!!
Spanning a period of 250 years, from 1750s to 2001, three ambitious young men arrive to the Niagara peninsula. They come from rural New York, dirt poor Sicily and a squalid 19th
century Dublin. As
time passes, their growing families mix and mingle in the burgeoning wine
region known as Niagara ...
Award-winning Canadian author and artist, MLHolton, has
created a “magnificent” historical fiction that focuses on three distinct families, held together by familial roots, as they become embroiled in national and world events ... Driven by love, lust and loot, dive into the psyche of an evolving nation ...
